Maya Chami | Open Studio | June 14, 2014 from The Watermill Center on Vimeo.
On June 14, 2014, Maya Chami presented three audio-visual works, Of Men, Champagne and Victory Aside (2012) and Transitional digital objects (2011) as well as a new work titled Jasmine - Tree: Copy Cat, inspired by The Watermill Center cat.
Born in Beirut in 1981, practitioner in graphic design and digital arts Maya Chami obtained a bachelor of science in graphic design from the Lebanese American University. In 2006, she was selected to participate in the UNESCO online masters module on art, design and technology, and in 2011 I completed her masters degree in digital arts at Camberwell College of Arts, University of the Arts London. She works in graphic design and digital arts on both commissioned and personal projects and has participated in several design and digital arts exhibits and events.
Maya's portfolio of live audio-visual work includes “Transitional Digital Objects” (2011), which explores compositing an autobiography in live cinema; “Of Men, Champagne and Victory Aside" (2012), a live audio-visual presentation, merging laptop-generated visuals and live music in a playful examination into the theme of the ‘victory sign’ in the Arab world, from the 1980s to the present.
On June 14, 2014, Maya Chami presented three audio-visual works, Of Men, Champagne and Victory Aside (2012) and Transitional digital objects (2011) as well as a new work titled Jasmine - Tree: Copy Cat, inspired by The Watermill Center cat.
Born in Beirut in 1981, practitioner in graphic design and digital arts Maya Chami obtained a bachelor of science in graphic design from the Lebanese American University. In 2006, she was selected to participate in the UNESCO online masters module on art, design and technology, and in 2011 I completed her masters degree in digital arts at Camberwell College of Arts, University of the Arts London. She works in graphic design and digital arts on both commissioned and personal projects and has participated in several design and digital arts exhibits and events.
Maya's portfolio of live audio-visual work includes “Transitional Digital Objects” (2011), which explores compositing an autobiography in live cinema; “Of Men, Champagne and Victory Aside" (2012), a live audio-visual presentation, merging laptop-generated visuals and live music in a playful examination into the theme of the ‘victory sign’ in the Arab world, from the 1980s to the present.
