Wednesday, 26 May 2010

JK Keller - or the guy who enjoys working!

I came across this video of JK Keller, a guy who decided to 'live his life faster' so he spent 8 years taking daily portrait photos of himself to assemble them in the below video. I am not saying that the originality of the idea is what is valuable in here, but the persistence and the perseverance. There is a sense of madness in what JK Keller does, not everyone has the guts to actually cross the bridge and do the action.

Living My Life Faster - 8 years of JK's Daily Photo Project from JK Keller on Vimeo.



So I went on checking out his other projects, it turned out he's pretty much involved in counting aspects of is life, archiving, categorizing... For instance this is another example of what he's practicing: 'Fingerspelling Matchbooks', 2005.



check out his website: http://www.jk-keller.com/

Friday, 21 May 2010

YAS get it right

It's year 2019, the launch of the first Arab spaceship, the 'star wars' style typographic introduction explains, I specifically appreciate the organic aspect, the shots of the vernacular and the non existence of the spaceship in this which I interpreted as a sweet type of mockery.

'Symphonies' by Dan Black

Inspiring practices: two versions of 'symphonies' a musical piece by Dan Black a version featuring Kid Cudi and another version remixed by Passion Pit.


http://rcrdlbl.com/trk/457ace201d00f769aa5524d1aa2bb0df/share

Sunday, 9 May 2010

Brainstorming on Screen - Frame - Canvas etc...

Elaborating on the idea of 'Narrative Leftovers', or the narratives that fall outside the frame, I was thinking of what could challenge these borders, the first thing that came to my mind was Fatness or Obesity.

Baudrillard spoke of the Obscene as an extension from the worlds of obesity and the scene.

Then I thought of the excess in general; Super Richness for instance.

Obesity and excess richness could never fit in the frame. The frame being the 'politically correct', the 'norm as set by the society'.

Then I looked back at Sigmund Freud's book 'Civilization and Its Discontents'. He discusses the individual's quest for instinctual freedom and civilization's contrary demand for conformity and instinctual repression. By creating laws that prohibit certain acts like killing for instance and the punishments that are set for each broken rule instills perpetual feelings of discontent in the society's citizens.

Then again I thought of iPad, the new 'screen', quoting Jony Ive, Senior Vice President, Design - Apple's iPad

The face of the product is pretty much defined by a single piece of multi-touch glass, and that's it, there's no pointing device, there's not even a single orientation. There's no up there's no down, there's not a right or wrong way of holding it. I don't have to change myself to fit the product; it fits me. 0:56 > 1:15

watch the iPad video on http://www.apple.com/ipad/

Inspiring Practices: Faraday_101 by Andy Stiff

Faraday_101 from Andrew Stiff on Vimeo.

Friday, 30 April 2010

On Memory - 1

In our last chat session, I was advised to dwell more on the idea of memory. I went back to my old philosophy book, that of high school, a French system based book by Denis Huisman and André Vergez, in the second volume, that of "Knowledge" I found the lesson that still reoccurs to my mind every now and then.

What I will post here is the main translation of the general memory related lesson, in which I will be taking out later on aspects that could be researched further.

'Our present is not an elusive mathematical point, a line that has no thickness that separates the forever abolished past and the future that still does not exist.
In fact, what we call the present is not an abstract demarcation line but a fragment of the period enveloping the upcoming past and the immediate future.
My present includes what I just did and what I am about to do.
Heidegger says that man is the 'being of the distant' (l'homme est l'ĂȘtre des lointains), a concerned being that projects the future on the present with what has preceded.
Therefore, while a thing at every moment is contemporary of itself, man lasts, that is man remembers.
"Days go by, I remain" writes Appolinaire. Memory appears as a kind of revenge of the human on the escape of days since the human spirit is capable of finding and keeping what is happening. The face of the changing world that is constantly passing by would find some permanence in our memory. It is in this sense that, according to Ibsen, 'we do not possess eternally but what has been lost".
However, these moments that my memory rescues in some sort from the flying days, it does not really resurrect. Memory is not a hallucination: I relive my past, in thinking it as a past. I deny its presence after affirming it. As Lalande says it, memory in the full sense of the word is " a psychic function that consists in reproducing a state of conscience with the past with a character that it is recognized as such by the subject".
Is a sense, through memory, i find my past, i coincide with it; I AM my past; but on the other hand, I put my past as abolished, I handle it from a distance of myself. I have a past. There's here an ambiguity in memory that is at the same time resurrection of the past and positioning the past as past."

This post will be developed further in a another post and will be linked to the context of the project proposal later.